With Rachel Weisz, Sam Claflin, Holliday Grainger, Iain Glen. The house’s main hall, bedrooms and extensive library were put to atmospheric use in My Cousin Rachel, significantly darkened and often candle-lit to properly accompany the action. Culture Trip stands with Black Lives Matter. Young Richard Burton played Philip then, and though he is rightfully recognized as a great actor, he did seem a bit astute for the role of Philip, supposedly an inexperienced young man, completely ill-at-ease with the arrival of an older woman.

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The film, starring Rachel Weisz and Sam Claflin, puts on display all the mystery and tension of the original Daphne du Maurier classic, but with an added emotional edge. The Brilliant Uncertainty Of “My Cousin Rachel”. HBO is TM and copyright HBO. He understandably begins by despising the widow, a hatred which quickly dissipates the moment she comes to visit him at the Ashley estate in Cornwall. In this version, Sam Claflin plays better towards those qualities.

All photos and videos are property of their respective artists and/or HBO. HBOWatch is not affiliated with HBO. Readers familiar with Daphne Du Maurier’s novels know that their magic lies not only in the ambiguity of their plots but in the keen first-person subjectivity of her most famous narratives, like. Young Richard Burton played Philip then, and though he is rightfully recognized as a great actor, he did seem a bit astute for the role of Philip, supposedly an inexperienced young man, completely ill-at-ease with the arrival of an older woman. In the case of Rebecca, famously adapted for the big screen by Alfred Hitchcock in 1940, the main character Mrs. de Winter is constantly haunted by the specter of a woman she never met, the titular Rebecca.

His Philip is, as he’s supposed to be, completely out of his depth when it comes to understanding the beautiful and enigmatic Rachel. In addition to the ambiguity and evasiveness that she conveys, she brings a sensuality to the role that was mostly absent in the previous version. If Claflin falls short in any way, it is in conveying how dangerous Philip can become, something Burton was able to do more efficiently. Yet it is Sam Claflin, in his dual role as both Philip and Ambrose (a lopsided combination, mind you, since the older cousin gets very little screen time), who perhaps comes out of this impressing the most: he plays the boy with added brashness and violence, giving an edge to the character’s childish mood swings, and putting in perspective the work’s true dramatic center. But “My Cousin Rachel” is an impossibly turgid film. Philip remains behind in England, and receives letters from Ambrose regarding the latter’s growing attachment and subsequent marriage to a woman named Rachel, who happens to be their cousin.

Eventually, however, Philip’s marriage proposal is refused, a rejection which reawakens his suspicions of her, laying the ground for the story’s tragic ending. When Philip travels to Italy to discuss the matter with Ambrose, he discovers that his cousin has died. My Cousin Rachel was originally adapted for the screen in 1952. In the end, after all those years he is still uncertain of Rachel’s innocence and his doubt haunts him like a ghost. As the titular Rachel, actress Rachel Weisz steps into the role originally played by Olivia de Havilland. The rest of the design on the film is simple, yet lush as you can see from the trailer above. Rael Jones ’ music is the main culprit here, but the film’s most blatant disaster is Sam Claflin ’s performance as Philip. You might also like: Did She? They are both very good as Philip; they each have different strengths they bring to the role. All rights reserved. For fans of subtle period drama, or Daphne du Maurier’s novel, My Cousin Rachel is sure to please.

My Cousin Rachel was originally adapted for the screen in 1952. Director Roger Michell admits, in the introduction to Virago’s latest edition of My Cousin Rachel, that upon first reading the novel three years ago he was surprised.What he’d “idly suspected as fifties chick-lit with a dash of melodrama” was, in fact, “complex, dark, mysterious, and full of erotic, brooding disquiet.” At this point his feelings towards her turn romantic, and the two slowly bond, allowing her to receive whatever inheritance his cousin’s will did not provide. It premieres on HBO and its platforms on SATURDAY, MARCH 10th.

Though far be it from me to disagree with the author, I would say that de Havilland doesn’t get credit for the multiple layers of intrigue and cunning she brought to Rachel. Weeks later, Rachel travels to England to visit the estate, leaving Philip to ponder many questions. In the 1952 version of My Cousin Rachel, Richard Burton adds the quality of an “angry young [working class] man,” which despite Henry Koster’s rather nondescript direction, gives that film … Not only does she not play the character in an overtly sinister manner, but Weisz’s—typical—slight awkwardness makes her more sympathetic than might otherwise have been expected (she is by no means a femme fatale in the Hollywood sense). What are Rachel’s intentions, now that Ambrose has passed? The direction, too, is both simple and beautiful, creating an atmospheric drama out of a story that could have fallen into cheap melodrama in the hands of a lesser team. His older cousin Ambrose, who had, until then, raised him celibate—and in a house seemingly devoid of women—meets and marries the eponymous Rachel while recuperating from an illness in Florence. Director Roger Michell admits, in the introduction to Virago’s latest edition of, Rachel Weisz in "My Cousin Rachel" | Courtesy of Fox Searchlight Pictures, Video Exclusive—Sam Claflin Reveals All About His Character in “My Cousin Rachel”, Did She? The countryside is full of color and blooming flowers, the clothes meticulously done for all the players. The countryside is full of color and blooming flowers, the clothes meticulously done for all the players. Her perception is limited and skewed by the knowledge she lacks. The direction, too, is both simple and beautiful, creating an atmospheric drama out of a story that could have fallen into cheap melodrama in the hands of a lesser team. What happened to Ambrose in Italy? What was the true nature of the relationship between Ambrose and Rachel? Michell’s realization, then, and the film that has now emerged out of it, should at the very least help dent that far too long-lasting image. Set with deliberate vagueness around the 1840s, “between Austen and Dickens” (to quote Michell), the story follows one Philip Ashley as he approaches the age of 25 and full, legal adulthood. On the other hand, the role is complicated by the fact that Philip’s frustrated fixation on her must also convey the threat of violence. Reportedly, du Maurier was unhappy with the casting of the pious and warm de Havilland in the role. There is, of course, depth to her work, and this adaptation is successful precisely because it chooses to emphasize it: My Cousin Rachel is a moody, ambiguous movie, made all the more poignant by its constant criticism of privilege. The running mystery of the story is judiciously used as a foil for bolder, and ultimately tragic, explorations—on fallible romance, male entitlement, and the impossibility of independent life for women in the 19th century.

With Rachel Weisz, Sam Claflin, Holliday Grainger, Iain Glen. The house’s main hall, bedrooms and extensive library were put to atmospheric use in My Cousin Rachel, significantly darkened and often candle-lit to properly accompany the action. Culture Trip stands with Black Lives Matter. Young Richard Burton played Philip then, and though he is rightfully recognized as a great actor, he did seem a bit astute for the role of Philip, supposedly an inexperienced young man, completely ill-at-ease with the arrival of an older woman.

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