"That's him," a weary Bone tells Cutter, when oil magnate JJ Cord rides by on a white horse.... [3] Passer did not see his film with a paying audience until the Houston International Film Festival many weeks later. "[8] John Patterson of The Guardian called it "note-perfect" and a "masterpiece," praising all three of the lead performances while acknowledging the film required multiple viewings to perceive its strengths.

senior domestic sales and marketing vice president Jerry Esbin saw the film and decided that it did not have any commercial possibilities. When Cutter tells Bone he plans to kill Cord, Bone attempts to leave the party but is blocked by other parked cars and instead goes after Cutter to convince him not to kill Cord. Gurian eventually informed Fiskin that he had bought the rights to the novel Cutter and Bone, and wanted to meet with Fiskin in Los Angeles. | Convinced that Cord had been trying to silence Bone, Cutter begins researching Cord. The plot is not conventionally excuted and this a treat for the willing. Cutter's Way opens with a girl's corpse dumped in a trashcan in a rainswept Santa Barbara back alley, witnessed by broke, thirtysomething country-club gigolo Richard Bone.

The film stars Jeff Bridges, John Heard, and Lisa Eichhorn.


After a brief conversation in which Cord assumes that Cutter's war experience has made him paranoid, Cutter suddenly crashes through the window after stealing one of Cord's horses. [3] In a 1981 interview, he said of the novel "The set-up's great, the characters are fine. Alex Cutter (Heard) came back from war minus an eye, a leg, and an arm and mad as hell. The screenplay was by Jeffrey Alan Fiskin, based on the 1976 novel Cutter and Bone by Newton Thornburg. When Bone sees who he thinks is the same man in the Santa Barbara "Founder's Day Parade" – local tycoon J.J. Cord (Stephen Elliott) – Cutter begins to take an interest in the case. A friend of Jeffrey Alan Fiskin had Fiskin send a screenplay to Paul Gurian, a would-be film producer. As Cutter is dying from injuries from the broken glass, Bone asserts that Cord killed the girl. "[4] The studio was so shocked by the negative reviews that it planned to pull the film after only a week. "[3], United Artists spent a meager $63,000 on promotion for the film's release in New York City in late March 1981.

Until one rainy night in an alley, where Bone steers his foreign convertible when the engine dies, and half-sees a man depositing a woman's body in a trash can. Cutter's Way opens with a girl's corpse dumped in a trashcan in a rainswept Santa Barbara back alley, witnessed by broke, thirtysomething country-club gigolo Richard Bone. [3] Vincent Canby in The New York Times wrote "[I]t's the sort of picture that never wants to concede what it's about.

His interest soon becomes a conspiracy theory that develops into an investigation with his skeptical friend and the dead girl's sister, (Ann Dusenberry), along for the ride. You cannot make a film out of this. Perhaps director Ivan Passer's finest. Photograph: Ronald Grant Archive, hirty years on from its botched original release, Ivan Passer's note-perfect, sun-splashed neo-noir thriller. John Heard, then almost unknown, is Cutter, a showy, noisy part, while Jeff Bridges has the quieter, more difficult role of Bone. He sees a large car draw up a little way behind him. In 1983, the film won the prestigious Grand Prix of the Belgian Film Critics Association. The following day, a young girl who has been brutally murdered is found in the garbage can, and Bone becomes a suspect.

I think UA murdered the film. "[5] Jim Hoberman of The Village Voice was also an early champion of the film, calling it "a thriller but also a critique, underscoring its surgical title by performing a deft and mordant postmortem on the remains of the 1960s counterculture. The film stars Jeff Bridges, John Heard, and Lisa Eichhorn. Cutter's Way is a movie that starts yielding up its real treasures around the third viewing, so stick with it (you'll hate the ending first time out). How this is accomplished is the wildest and poignant tale you're ever going to see and the atmosphere is Lynchian, but pre-Lynchian. Cutter's way is hard to put in a category. [citation needed], United Artists did not like the ambiguity in what was then titled Cutter and Bone.

For once, the word is appropriate: masterpiece. Bone steadies Cutter's gun in Cutter's hand and shoots Cord as the film cuts to black.

Parents Guide. [3], The initial budget was $3.3 million, but Field learned that United Artists would produce the movie only if the budget was $3 million and star join the cast. In 1982, Fiskin won an Edgar Award from the Mystery Writers of America for Best Motion Picture Screenplay. Fiskin and United Artists executives screened Passer's Intimate Lighting and agreed he was the man to direct Cutter and Bone. "[6], The positive reviews prompted United Artists to give Cutter and Bone to its United Artists Classics division, which changed the film's title to Cutter's Way (thinking that the original title would be mistaken by audiences for a comedy about surgeons) and entered it in film festivals. He lacks direction, drinks too much, and abuses his wife (Eichhorn). Bone doesn't know for sure what he saw, but his one-eyed, one-legged, one-armed Vietnam-veteran high-school buddy Alex Cutter, riven by unquenchable rage over his injuries and determined to make somebody – anybody – pay, decides the killer must be local oil potentate JJ Cord (Stephen Elliott). [3] At Houston, Texas's Third International Film Festival, it won Best Picture, Best Director, Best Screenplay, and Best Actor (John Heard). The truly unforgettable performance comes from Lisa Eichhorn as Cutter's abused and defeated, hollow-eyed alcoholic wife Mo, the soul of the movie, delivering, in her thin, cracked voice, such vicious putdowns as (to feckless rent-boy Bone) "Home so early, Rich? Synopsis Cutter's Way (also known as Cutter and Bone) is a 1981 neo noir thriller directed by Ivan Passer.

Jeffrey Alan Fiskin's literate dialogue retains a malign sparkle throughout, and Eichhorn's turn was rightly dubbed "the most underrated performance of the 1980s" by the AFI. [9], Cutter's Way holds a rating of 91% on Rotten Tomatoes, based on 22 reviews. He said in an interview, "They didn't do any research. Again, a career best for John Heard as the intense Cutter, Jeff Bridges is simply incredible, and the gifted Lisa Eichorn evokes the gamut of raw emotions. Plot Keywords After being chased by security, Bone winds up in Cord's office. A week later, it received the closing-feature slot at the Seattle International Film Festival. There all three daily papers and the three major network critics gave Cutter and Bone negative reviews. [3] Cutter and Bone became a victim of internal politics.

One rainy night in Santa Barbara, California, Richard Bone's (Bridges) car breaks down in a side road. After Cutter attempts to blackmail Cord as a way of making Cord incriminate himself, Cutter's house mysteriously burns down with his wife, Mo (Lisa Eichhorn), inside. | Not a noir film, but a cult film in every sense of the word.

Richard spots a man dumping a body, and decides to expose the man he thinks is the culprit with his friend Alex Cutter. Gurian arranged for the studio EMI to back the film financially, with Robert Mulligan to direct and Dustin Hoffman to play Alex Cutter. Cutter's Way (also known as Cutter and Bone) is a 1981 neo noir thriller directed by Ivan Passer.

Thirty years on from its botched original release, Ivan Passer's note-perfect, sun-splashed neo-noir thriller Cutter's Way has slowly fought its way up from cult obscurity. [3] However, a scheduling conflict forced Hoffman to leave the project.
Well worth renting or owning. [3] The studio liked Jeff Bridges's work in the dailies for Michael Cimino's Heaven's Gate and insisted on him for Cutter and Bone.

...and this is where it takes off. This prompted Mulligan to leave as well, and EMI to pull its money. It's a delicate blend of thriller, comedy, drama, conspiracy, buddy movie (I hate that term, too), incredibly moving acting, incredible noir-ish (not noir) cinematography and one of the most haunting scores in cinema. "[3] Gurian agreed and hired Fiskin to write the screenplay. Ansen wrote, "Under Passer's sensitive direction, Heard gives his best film performance: he's funny and abrasive and mad, but you see the self-awareness eating him up inside. But the last half of the book is an instant replay of Easy Rider. I've seen it perhaps 30 times – it may be my favourite American movie – and, unlike its three broken leads, I have still yet to hit bottom. Richard Bone (Jeff Bridges) is the aimless playboy yin to Alex Cutter's hardcore Vietnam veteran yang and Moe (Lisa Eichorn) is Alex's cynical wife. U.A. The credits play over the opening shot of the 1981 film "Cutter's Way" (aka "Cutter and Bone"), a film very people have heard of, let alone seen, but which is nevertheless one of the key American films of the 1980s (a crucial film in connecting the post-sixties hangover and the corporate runamuck of … Gurian gave Fiskin a list of directors; Ivan Passer's name was the only one the screenwriter did not recognize. [10], Leydon, Joe (July/August 1981), Film Comment, https://www.boxofficemojo.com/movies/?id=cuttersway.htm, "Cutter's Way is a cinematic masterpiece", https://en.wikipedia.org/w/index.php?title=Cutter%27s_Way&oldid=966336542, Articles with unsourced statements from December 2009, Creative Commons Attribution-ShareAlike License, This page was last edited on 6 July 2020, at 14:33. With a new ad campaign, Cutter's Way reopened in the summer of 1981 in Seattle, Los Angeles, Boston, and New York City. A man throws something into a garbage can. As one of the lucky few who saw it then, and having loved it madly ever since, I couldn't be happier to see it available once more. When Cutter hears about it, he embarks on a crusade to expose the killer, enlisting the help of the murdered girl's sister. The screenplay was by Jeffrey Alan Fiskin, based on the 1976 novel Cutter and Bone by Newton Thornburg. Like Who'll Stop The Rain, Cutter's Way is structured around a profoundly dysfunctional trio, brought to vivid life by consummate character players. It's a delicate blend of thriller, comedy, drama, conspiracy, buddy movie (I hate that term, too), incredibly moving acting, incredible noir-ish (not noir) cinematography and one of the most haunting scores in cinema. Lisa Eichhorn was cast as Mo after she auditioned with Bridges. He steals an invitation to a party at Cord's house and gets Bone to drive him. [3] Gurian took the film to United Artists, where the studio's vice president, David Field, became interested in backing it. At first, Bone thinks nothing of it and proceeds to meet his friend, Vietnam veteran Alex Cutter (Heard). | Are they right or are they in search of their white whale?
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The site's consensus reads, "A suitably cynical neo-noir that echoes the disillusionment of its era, Cutter's Way relies on character-driven drama further elevated by the work of an outstanding cast". It is, however, enchanted by the sound of its own dialogue, which is vivid without being informative or even amusing on any level.

"That's him," a weary Bone tells Cutter, when oil magnate JJ Cord rides by on a white horse.... [3] Passer did not see his film with a paying audience until the Houston International Film Festival many weeks later. "[8] John Patterson of The Guardian called it "note-perfect" and a "masterpiece," praising all three of the lead performances while acknowledging the film required multiple viewings to perceive its strengths.

senior domestic sales and marketing vice president Jerry Esbin saw the film and decided that it did not have any commercial possibilities. When Cutter tells Bone he plans to kill Cord, Bone attempts to leave the party but is blocked by other parked cars and instead goes after Cutter to convince him not to kill Cord. Gurian eventually informed Fiskin that he had bought the rights to the novel Cutter and Bone, and wanted to meet with Fiskin in Los Angeles. | Convinced that Cord had been trying to silence Bone, Cutter begins researching Cord. The plot is not conventionally excuted and this a treat for the willing. Cutter's Way opens with a girl's corpse dumped in a trashcan in a rainswept Santa Barbara back alley, witnessed by broke, thirtysomething country-club gigolo Richard Bone.

The film stars Jeff Bridges, John Heard, and Lisa Eichhorn.


After a brief conversation in which Cord assumes that Cutter's war experience has made him paranoid, Cutter suddenly crashes through the window after stealing one of Cord's horses. [3] In a 1981 interview, he said of the novel "The set-up's great, the characters are fine. Alex Cutter (Heard) came back from war minus an eye, a leg, and an arm and mad as hell. The screenplay was by Jeffrey Alan Fiskin, based on the 1976 novel Cutter and Bone by Newton Thornburg. When Bone sees who he thinks is the same man in the Santa Barbara "Founder's Day Parade" – local tycoon J.J. Cord (Stephen Elliott) – Cutter begins to take an interest in the case. A friend of Jeffrey Alan Fiskin had Fiskin send a screenplay to Paul Gurian, a would-be film producer. As Cutter is dying from injuries from the broken glass, Bone asserts that Cord killed the girl. "[4] The studio was so shocked by the negative reviews that it planned to pull the film after only a week. "[3], United Artists spent a meager $63,000 on promotion for the film's release in New York City in late March 1981.

Until one rainy night in an alley, where Bone steers his foreign convertible when the engine dies, and half-sees a man depositing a woman's body in a trash can. Cutter's Way opens with a girl's corpse dumped in a trashcan in a rainswept Santa Barbara back alley, witnessed by broke, thirtysomething country-club gigolo Richard Bone. [3] Vincent Canby in The New York Times wrote "[I]t's the sort of picture that never wants to concede what it's about.

His interest soon becomes a conspiracy theory that develops into an investigation with his skeptical friend and the dead girl's sister, (Ann Dusenberry), along for the ride. You cannot make a film out of this. Perhaps director Ivan Passer's finest. Photograph: Ronald Grant Archive, hirty years on from its botched original release, Ivan Passer's note-perfect, sun-splashed neo-noir thriller. John Heard, then almost unknown, is Cutter, a showy, noisy part, while Jeff Bridges has the quieter, more difficult role of Bone. He sees a large car draw up a little way behind him. In 1983, the film won the prestigious Grand Prix of the Belgian Film Critics Association. The following day, a young girl who has been brutally murdered is found in the garbage can, and Bone becomes a suspect.

I think UA murdered the film. "[5] Jim Hoberman of The Village Voice was also an early champion of the film, calling it "a thriller but also a critique, underscoring its surgical title by performing a deft and mordant postmortem on the remains of the 1960s counterculture. The film stars Jeff Bridges, John Heard, and Lisa Eichhorn. Cutter's Way is a movie that starts yielding up its real treasures around the third viewing, so stick with it (you'll hate the ending first time out). How this is accomplished is the wildest and poignant tale you're ever going to see and the atmosphere is Lynchian, but pre-Lynchian. Cutter's way is hard to put in a category. [citation needed], United Artists did not like the ambiguity in what was then titled Cutter and Bone.

For once, the word is appropriate: masterpiece. Bone steadies Cutter's gun in Cutter's hand and shoots Cord as the film cuts to black.

Parents Guide. [3], The initial budget was $3.3 million, but Field learned that United Artists would produce the movie only if the budget was $3 million and star join the cast. In 1982, Fiskin won an Edgar Award from the Mystery Writers of America for Best Motion Picture Screenplay. Fiskin and United Artists executives screened Passer's Intimate Lighting and agreed he was the man to direct Cutter and Bone. "[6], The positive reviews prompted United Artists to give Cutter and Bone to its United Artists Classics division, which changed the film's title to Cutter's Way (thinking that the original title would be mistaken by audiences for a comedy about surgeons) and entered it in film festivals. He lacks direction, drinks too much, and abuses his wife (Eichhorn). Bone doesn't know for sure what he saw, but his one-eyed, one-legged, one-armed Vietnam-veteran high-school buddy Alex Cutter, riven by unquenchable rage over his injuries and determined to make somebody – anybody – pay, decides the killer must be local oil potentate JJ Cord (Stephen Elliott). [3] At Houston, Texas's Third International Film Festival, it won Best Picture, Best Director, Best Screenplay, and Best Actor (John Heard). The truly unforgettable performance comes from Lisa Eichhorn as Cutter's abused and defeated, hollow-eyed alcoholic wife Mo, the soul of the movie, delivering, in her thin, cracked voice, such vicious putdowns as (to feckless rent-boy Bone) "Home so early, Rich? Synopsis Cutter's Way (also known as Cutter and Bone) is a 1981 neo noir thriller directed by Ivan Passer.

Jeffrey Alan Fiskin's literate dialogue retains a malign sparkle throughout, and Eichhorn's turn was rightly dubbed "the most underrated performance of the 1980s" by the AFI. [9], Cutter's Way holds a rating of 91% on Rotten Tomatoes, based on 22 reviews. He said in an interview, "They didn't do any research. Again, a career best for John Heard as the intense Cutter, Jeff Bridges is simply incredible, and the gifted Lisa Eichorn evokes the gamut of raw emotions. Plot Keywords After being chased by security, Bone winds up in Cord's office. A week later, it received the closing-feature slot at the Seattle International Film Festival. There all three daily papers and the three major network critics gave Cutter and Bone negative reviews. [3] Cutter and Bone became a victim of internal politics.

One rainy night in Santa Barbara, California, Richard Bone's (Bridges) car breaks down in a side road. After Cutter attempts to blackmail Cord as a way of making Cord incriminate himself, Cutter's house mysteriously burns down with his wife, Mo (Lisa Eichhorn), inside. | Not a noir film, but a cult film in every sense of the word.

Richard spots a man dumping a body, and decides to expose the man he thinks is the culprit with his friend Alex Cutter. Gurian arranged for the studio EMI to back the film financially, with Robert Mulligan to direct and Dustin Hoffman to play Alex Cutter. Cutter's Way (also known as Cutter and Bone) is a 1981 neo noir thriller directed by Ivan Passer.

Thirty years on from its botched original release, Ivan Passer's note-perfect, sun-splashed neo-noir thriller Cutter's Way has slowly fought its way up from cult obscurity. [3] However, a scheduling conflict forced Hoffman to leave the project.
Well worth renting or owning. [3] The studio liked Jeff Bridges's work in the dailies for Michael Cimino's Heaven's Gate and insisted on him for Cutter and Bone.

...and this is where it takes off. This prompted Mulligan to leave as well, and EMI to pull its money. It's a delicate blend of thriller, comedy, drama, conspiracy, buddy movie (I hate that term, too), incredibly moving acting, incredible noir-ish (not noir) cinematography and one of the most haunting scores in cinema. "[3] Gurian agreed and hired Fiskin to write the screenplay. Ansen wrote, "Under Passer's sensitive direction, Heard gives his best film performance: he's funny and abrasive and mad, but you see the self-awareness eating him up inside. But the last half of the book is an instant replay of Easy Rider. I've seen it perhaps 30 times – it may be my favourite American movie – and, unlike its three broken leads, I have still yet to hit bottom. Richard Bone (Jeff Bridges) is the aimless playboy yin to Alex Cutter's hardcore Vietnam veteran yang and Moe (Lisa Eichorn) is Alex's cynical wife. U.A. The credits play over the opening shot of the 1981 film "Cutter's Way" (aka "Cutter and Bone"), a film very people have heard of, let alone seen, but which is nevertheless one of the key American films of the 1980s (a crucial film in connecting the post-sixties hangover and the corporate runamuck of … Gurian gave Fiskin a list of directors; Ivan Passer's name was the only one the screenwriter did not recognize. [10], Leydon, Joe (July/August 1981), Film Comment, https://www.boxofficemojo.com/movies/?id=cuttersway.htm, "Cutter's Way is a cinematic masterpiece", https://en.wikipedia.org/w/index.php?title=Cutter%27s_Way&oldid=966336542, Articles with unsourced statements from December 2009, Creative Commons Attribution-ShareAlike License, This page was last edited on 6 July 2020, at 14:33. With a new ad campaign, Cutter's Way reopened in the summer of 1981 in Seattle, Los Angeles, Boston, and New York City. A man throws something into a garbage can. As one of the lucky few who saw it then, and having loved it madly ever since, I couldn't be happier to see it available once more. When Cutter hears about it, he embarks on a crusade to expose the killer, enlisting the help of the murdered girl's sister. The screenplay was by Jeffrey Alan Fiskin, based on the 1976 novel Cutter and Bone by Newton Thornburg. Like Who'll Stop The Rain, Cutter's Way is structured around a profoundly dysfunctional trio, brought to vivid life by consummate character players. It's a delicate blend of thriller, comedy, drama, conspiracy, buddy movie (I hate that term, too), incredibly moving acting, incredible noir-ish (not noir) cinematography and one of the most haunting scores in cinema. Lisa Eichhorn was cast as Mo after she auditioned with Bridges. He steals an invitation to a party at Cord's house and gets Bone to drive him. [3] Gurian took the film to United Artists, where the studio's vice president, David Field, became interested in backing it. At first, Bone thinks nothing of it and proceeds to meet his friend, Vietnam veteran Alex Cutter (Heard). | Are they right or are they in search of their white whale?

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