Barry worked on many of Faith's hits and he also arranged Lance Fortune's "Be Mine", Russ Conway's "Pepe" and Marty Wilde's "Lonely Avenue". Barry's work on the Bond films never won him an Academy Award; his five Oscars came from Born Free (1966: best score and also best song, co-written with Don Black and sung to perfection by Matt Monro), The Lion In Winter (1968, best score), Out Of Africa (1985, best score) and Dances With Wolves (1990, best score). See below for a list of John Barry’s GRAMMY Awards history. In effect, we are reading several texts simultaneously (like having three books open in front of us) and skipping from one to the other without losing THE SENSE of any of them in the process. continue to respect all commenters and create constructive debates. Retrouvez les 8 prix et 12 nominations du film Star Wars : Episode IV - Un nouvel espoir (La Guerre des étoiles) realisé par George Lucas. Where Barry would be outrageously sinister - Legrand would be fey. [18] Because Barry provided not just the main title theme but the complete soundtrack score, his music often enhanced the critical reception of a film, notably in Midnight Cowboy, The Tamarind Seed (1974), the first remake of King Kong (1976), Out of Africa (1985), and Dances with Wolves (1990). When Leslie Bricusse and Anthony Newley were asked to write lyrics for the title song of Goldfinger (1964), Barry played them his music and, much to his chagrin, they sang "Moon River" to the opening notes. 3.The ‘plot’ wasn't allowed to stray far enough from Thunderball (as an officially allowed remake) to be very compelling. When Faith made his first film, Beat Girl (1960), Barry composed, arranged and conducted the film score, his first. Independent Premium. His approach has become one of pure music for music's sake. The melodies are usually cast as straight ahead "song" tunes which you end up whistling in your sleep. He wrote the Grammy- and Academy Award-winning scores to the films Dances with Wolves and Out of Africa, as well as The Scarlet Letter, The Cotton Club, The Tamarind Seed, Mary, Queen of Scots, Game of Death, and the theme for the British television cult series The Persuaders!, in a career spanning over 50 years.

But, let us go deeper. Barry also wrote the scores to a number of musicals, including the 1965 Passion Flower Hotel (lyrics by Trevor Peacock), the successful 1974 West End show Billy (lyrics by Don Black),[20] and two major Broadway flops, Lolita, My Love (1971), with Alan Jay Lerner as lyricist, and The Little Prince and the Aviator (1981), again with lyricist Don Black.

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