Wheatley: Yeah, Sight & Sound said that. It’s just what England looks like. He caught the particularly noteworthy attention of Martin Scorsese, who came on board to executive produce Wheatley's next film, the crime drama "Free Fire. 86% Eventually, he shot a very short video titled "Cunning Stunt," starring his friend Robin Hill. By 2009, he was ready to direct his first feature film, the crime comedy "Down Terrace" (2009), which Wheatley funded himself.

It plays fine in Europe. The house is pretty big for a UK house. I showed it to Edgar Wright, who’s the executive producer, and he was like, “Well, don’t be afraid of using pop music.” And I kind of resist using pop music because coming from low-budget, I didn’t want to pay for that. og mor(?) Wheatley’s been doing press for the film for a year now, having in the meantime wrapped production on his fourth feature, A Field In England, which on July 5 will become the first British title to be released in that country theatrically, on VOD and DVD on the same day.
So we talk a lot about that. The video proved to be the turning point for Wheatley, garnering over 15 million hits. Can you speak about your shot choices a bit?

Filmmaker: Sightseers opens with “Tainted Love,” used in the most literal way possible. He decided to take matters into his own hands and produce some small projects of his own.

In New York, I suppose, the rooms are quite small, aren’t they? Do you have an equally neat reading for Sightseer? Wheatley: Laurie Rose, who’s the d.p., I treat as another actor, so he gives another performance in the film, and his performance is as a witness. It played pretty well in France, it played pretty well in Denmark and that, and it’s because what it’s dealing is, in a heartbeat, with a relationship and a couple trying to negotiate whether they like each other or not, which is a universal thing as much as anything. Billericay, Essex, England, UK, The model of a self-made digital age filmmaker, director Ben Wheatley honed his talents as a director for several years by creating viral videos before he eventually broke into feature films. It’s your own prejudices.
And it’s basically someone who’s arrogant who’s being killed. The black comedy attracted "Sean of the Dead" (2004) director Edgar Wright to come on as a producer, and exposed Wheatley to a still wider audience. Filmmaker: I assume the scene with hail is real. Ben Wheatley (born 1972) is an English director of feature films, TV comedy shows, adverts and idents, animated shorts and internet ads..
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Chris (Steve Oram) just wants to take his girlfriend Tina (Alice Lowe) on a relaxing rural trip through the British countryside to museums with charmingly archaic subjects (the Keswick Pencil Museum is one of the attractions) but is enraged by a rude tourist tossing a wrapper on an old tramway. Are statements like that common received truths?

Everything they go to, all the attractions about either stuff that we were good at or technologies that have gone or industries that have closed down, ending at the stone circle, so we keep going back and back and back.

It’s something that appeals to everybody. Filmmaker: There’s a lot of background news reports throughout.

He worked as an assistant editor and a storyboard artist for several commercials, all while nurturing a love of cinema. From my point of view, I made the film where I don’t think I’m particularly English or I’m in England.

It’s a very particular type of violent gag that has to be slightly different every time you do it. Once again, however, he wished to explore new themes for his next project, this time dealing in hallucinatory terror with the horror drama "A Field in England" (2013). You’re more presenting the evidence of what they’ve done. Following graduation, Wheatley began taking on odd jobs in film and TV production, hoping to gain experience. Our houses are small. The director is married to … Filmmaker: You have a way of framing shots, especially indoors, that’s very distinctive.

Wheatley: Yeah, Sight & Sound said that. It’s just what England looks like. He caught the particularly noteworthy attention of Martin Scorsese, who came on board to executive produce Wheatley's next film, the crime drama "Free Fire. 86% Eventually, he shot a very short video titled "Cunning Stunt," starring his friend Robin Hill. By 2009, he was ready to direct his first feature film, the crime comedy "Down Terrace" (2009), which Wheatley funded himself.

It plays fine in Europe. The house is pretty big for a UK house. I showed it to Edgar Wright, who’s the executive producer, and he was like, “Well, don’t be afraid of using pop music.” And I kind of resist using pop music because coming from low-budget, I didn’t want to pay for that. og mor(?) Wheatley’s been doing press for the film for a year now, having in the meantime wrapped production on his fourth feature, A Field In England, which on July 5 will become the first British title to be released in that country theatrically, on VOD and DVD on the same day.
So we talk a lot about that. The video proved to be the turning point for Wheatley, garnering over 15 million hits. Can you speak about your shot choices a bit?

Filmmaker: Sightseers opens with “Tainted Love,” used in the most literal way possible. He decided to take matters into his own hands and produce some small projects of his own.

In New York, I suppose, the rooms are quite small, aren’t they? Do you have an equally neat reading for Sightseer? Wheatley: Laurie Rose, who’s the d.p., I treat as another actor, so he gives another performance in the film, and his performance is as a witness. It played pretty well in France, it played pretty well in Denmark and that, and it’s because what it’s dealing is, in a heartbeat, with a relationship and a couple trying to negotiate whether they like each other or not, which is a universal thing as much as anything. Billericay, Essex, England, UK, The model of a self-made digital age filmmaker, director Ben Wheatley honed his talents as a director for several years by creating viral videos before he eventually broke into feature films. It’s your own prejudices.
And it’s basically someone who’s arrogant who’s being killed. The black comedy attracted "Sean of the Dead" (2004) director Edgar Wright to come on as a producer, and exposed Wheatley to a still wider audience. Filmmaker: I assume the scene with hail is real. Ben Wheatley (born 1972) is an English director of feature films, TV comedy shows, adverts and idents, animated shorts and internet ads..

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