It’s an adventure in zero-budget analogue cinema, a black-and-white film shot with a Bolex cine-camera on 16mm film, and developed in such a way as to create ghostly glitches and scratches on the print. I really didn't know what to expect from his character with each twist and turn. If I don't like, I'll say it and I did not like this movie, no matter if it was intended and masterly done for another audience, that's not how reviews work so I give this boring thing, which looks like a 1940 movie, a maximum of 4 stars. With their childhood home now a get-away for London money, Martin is displaced to the estate above the picturesque harbour. About Our Ads It is the antithesis of the multiplex safe Hollywood cgi digital junkfest we are used to seeing. Hoping that self-employment through gig economy can solve their financial woes, a hard-up UK delivery driver and his wife struggling to raise a family end up trapped in the vicious circle of this modern-day form of labour exploitation. Two sisters diving in a ruined underwater city quickly learn they've entered the territory of the deadliest shark species in the claustrophobic labyrinth of submerged caves.

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I didn't mind that I found the story, and the idea of life in Cornwall, somewhat rooted in a romantic view of fishing as a heroic labour which is here seen as almost the peak profession. But the primitivism of Jenkin’s film is the real thing – and hypnotically strange. The performance of Edward Rowe is mesmerising as a tortured man, his livelihood threatened, his culture undermined, his sheer frustration with what life has dealt him. I hope a lot of viewers won't be put off by it being in black and white as it deserves to be seen widely. Three unconnected Brooklyn cops wind up at the same deadly location after enduring vastly different career paths. Directed by Kimble Rendall. This is a really interesting movie. The plot revolves around Pi and his attempt to win the heart of Cordelia while dealing with a tiger shark that is terrorizing him and the reef's inhabitants.

It deserves more credit than it is actually given. B&W. A minor dispute with the Leighs over parking his battered truck outside their cottage soon escalates into a full-scale class war, which is exacerbated by the budding sexual relationship between Martin's handsome nephew Neil (Isaac Woodvine) and the Leighs' teenage daughter Katie (Georgia Ellery).

In his martyred way, he almost savours the humiliation of doing this, and nurses the resentment involved. Against company policy, she takes one home as a gift for her teenage son and names it after him but soon starts fearing it. With less than an hour of oxygen left and great white sharks circling nearby, they must fight to survive.

It's set in the present day but filmed using techniques from the old silent film era - with sound - including audio - added afterwards. Written and Directed by Mark Jenkin. Martin is a fisherman without a boat, his brother Steven having re-purposed it as a tourist tripper.

A terrifying tale of survival in the mangrove swamps of Northern Australia. Bait is a pretty remarkable film. Local Cornish comedian Edward Rowe stars as the film's brooding anti-hero Martin Ward, a fisherman who has fallen on hard times, and largely blames the big-city tourists who have colonized his once-thriving coastal village with vacation homes that remain empty most of the year.

An Early Day Films Production "A genuine modern masterpiece” Mark Kermode. This FAQ is empty. A drama on what might be the rather hackneyed theme of tourists ruining Cornwall becomes a bizarre expressionist melodrama. Over hyped? Two friends who have gone too long without sex set out to get some. The characters are flawed. As with reality there is no absolute truth here. Directed by Antoine Fuqua. Fishing is in decline. Overall it's worth watching for the atmosphere and filming which is glorious. Use the HTML below. As if only it is an authentic job, and others are somewhat less for not being fishing people. Production company: Early Day Films Winner - Phillip French Breakthrough Filmmaker Award - London Critics’ Circle Film Awards This chart shows the budget of every film in our database, where we have it. I don't think it would be quite so compelling, but as a commentary on the breakdown of society as a result of modern life, it's great. Follows a pious nurse who becomes dangerously obsessed with saving the soul of her dying patient. In New York, Alvin Sanders is a small-time thief who's just been hauled in for stealing a bunch of prawns (shrimp) from a local restaurant. Jenkin seems to sentimentalize the dying hardscrabble traditions of Cornish fishing communities, and arguably exaggerates their redneck resistance to change for contrived effect. With Jamie Foxx, David Morse, Robert Pastorelli, Doug Hutchison. It is an action movie with comedy mixed in. | Add the first question. Eighteen months later, Jaster is dead, and both Clenteen and Bristol are still looking for that gold. As a story about the major issue of the way the tourism "industry" trashes our communities, distorts our home lives, and creates massive suppressed resentment against those who come across the Tamar for two weeks or two months and make no contribution it is a powerful contribution. The dramatic core of Bait has a soap-opera simplicity that sometimes jars. Title:

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Terrible in every possible way! It has the huge closeups and crashingly emphatic narrative grammar of early cinema and, like home movies, it has non-diegetic sound, with dialogue overdubs and ambient noise which could well be taken from a sound effects LP.

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Watched the first 15 mins or so and just got confused. Mark Jenkin’s film Bait is shot in black and white. This movie feels like a trip down to the local mental hospital, i'd imagine. Use the HTML below. This FAQ is empty. Shot as if the person being spoken to is holding said camera (think Peep Show). Drama. Jenkin also served as cinematographer, editor and score composer. But, it's not for everyone. A narrative experimental 16mm film. I love the texture in this, every shot is beautifully framed.

I know Cornwall well myself and have visited on and off for close to 50 years and yes it has changed a lot in that time and although others will claim this film is cliche it's not far from the truth of a lot of the Cornish villagers and towns these days. It seems all to common in films over recent years to leave things unresolved. Directed by Mark Jenkin. (2000).

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